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First published: July 1, 2023 - Last updated: September 1, 2023
TITLE INFORMATION
Author: Katherine Stone
Title: #MeToo and Wartime Rape
Subtitle: Looking Back and Moving Forward
In: German #MeToo: Rape Cultures and Resistance, 1770-2020
Edited by: Elisabeth Krimmer and Patricia Anne Simpson
Place: Rochester, NY
Publisher: Boydell & Brewer
Year: 2022 (Publiehed online: October 8, 2022)
Pages: 197-216
Series: Women and Gender in German Studies 10
ISBN-13: 9781640141353 (hardcover) -
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Wikipedia,
WorldCat |
ISBN-13: 9781800106062 (EPUB) -
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WorldCat |
ISBN-13: 9781800106055 (PDF) -
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WorldCat
Language: English
Keywords:
Modern History:
20th Century |
European History:
GermanHistory |
Types:
Wartime Sexual Violence /
German War Crimes during the Second World World
FULL TEXT
Links:
- Cambridge Core (Restricted Access)
- JSTOR (Restricted Access)
- Google Books (Limited Preview)
ADDITIONAL INFORMATION
Author:
Katherine Stone,
School of Modern Languages and Cultures,
University of Warwick -
Academia.edu
Lecture:
Stone, Katherine. »Allegories of Trauma and Repression: Representations of Wartime Rape in Contemporary German Fiction.« Fortieth Annual Conference of the German Studies Association. San Diego 2016. -
Bibliographic Entry: Info
Summary:
»A Fundamental assumption of memory studies is the idea that collective remembrance is a highly mediated version of "history-in-motion," which !remak[es] the residue of past decades into material with contemporary resonance." The recent graffitiing of Seward Johnson's sculpture Unconditional Surrender offers a pertinent example of this process of recasting. Modeled on the iconic photograph by German-Jewish emigre Alfred Eisenstaedt, the statue depicts US Navy sailor George Mendonsa passionately embracing a pliant nurse on September 2, 1945. This image was initially celebrated as a visual encapsulation of the joy of VJ Day; in 2005, however, an Austrian-Jewish refugee named Greta Zimmer Friedman identified herself as the photographed woman and revealed that the kiss had not been consensual. This disclosure cast the title of Johnson's work in a new light, exposing the extent to which women's sexual passivity and the fine line between consent and coercion are naturalized-if not romanticized and eroticized in Western cultures. It took #MeToo to disturb the narrative. When Mendonsa's death in February 2019 was widely reported in obituaries, a protestor sprayed the Sarasota statue with the words "#MeToo." This graffito embodied the work's altered status as feminist cipher for "the normalization of assault." Conversely, the fact that local authorities categorized the #MeToo tag as vandalism and removed it suggests the difficult entanglement of sexual politics and history with national identity.
Several scholars have considered the memorial dynamics at the heart of #MeToo. For instance, Laura Moisi analyzes the "temporal engagement" integral to the public sharing of stories, which she calls a form of "navigating the past with the tools (words, concepts, ideas) of the present." 5 This chapter contributes to such discussions by specifically examining how #MeToo has the potential to shift our understanding of history. First, I elucidate the relevance of the past to debates and scholarship under the sign of #MeToo and discuss the extent to which historicization has been used to downplay the systemic dimensions of rape culture in the present. Part 2 of this chapter explains the implications of such historical thinking for how Germany remembers its history of sexual violence, especially in the context of World War II.«
(Source: Cambridge Core)
Wikipedia:
History of Europe:
History of Germany /
Nazi Germany /
Sex and the law:
Wartime sexual violence /
Wartime sexual violence in World War II |
War:
World War II /
War crimes of the Wehrmacht
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